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'Beautifying the Sin' cycle In 1992, when I was 18 years old I was living in London, UK. While there I saw the exhibition ‘Fiereze of Life’ at the National Gallery which was the work of Edvard Munch. I connected very

In 1992, when I was 18 years old I was living in London, UK. While there I saw the exhibition ‘Fiereze of Life’ at the National Gallery which was the work of Edvard Munch. I connected very strongly with his

“At a time when digitally captured and enhanced photographs can achieve new levels of flawlessness, I find myself increasingly drawn to handmade, inherently flawed images. Work with some complexity and ambiguity, work that was constructed or crafted, work with a

“At a time when digitally captured and enhanced photographs can achieve new levels of flawlessness, I find myself increasingly drawn to handmade, inherently flawed images. Work with some complexity and ambiguity, work that was constructed or crafted, work with a