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YOU & ME | 2022 - Present I engage with mass culture representations of female beauty all too common in the fashion industry or pornography that they parallel religious iconography. Utilizing a variety of photographic, materials-based approaches and an ever-expanding visual

Beautifying the Sin cycle - 'Paramour, Siren, and Virgin' In 1992, when I was 18 years old I was living in London, UK. While there I saw the exhibition ‘Fiereze of Life’ at the National Gallery which was the work of

Beautifying the Sin cycle - 'Modesty, Contessa, and Minx' Unique, distressed, archival pigment prints with acrylic paint and medium, encaustic, and imitation gold and silver leaf68 x 132 inches (68 x 42 inches each panel)2017

Beautifying the Sin cycle - 'Concubine, Puritan, and Vixen' Unique, distressed, archival pigment prints with acrylic paint and medium, encaustic, and imitation gold leaf68 x 132 inches (68 x 42 inches each panel)2017

Beautifying the Sin cycle - 'Paramour, Siren, and Virgin' Unique, distressed, archival pigment prints with acrylic paint and medium, encaustic, and imitation gold leaf68 x 132 inches (68 x 42 inches each panel)2017

When I tell the truth people think I am lying | 1998 – 2001 Book of illustrated journal entries written by Matthew Dols. Every person I know has a box of personal items that they keep hidden. It is not exactly hidden.

Beautifying the Sin Cycle | 2017 Body language and its relationship to vulnerability, power, sexuality and voyeurism in our culture fascinate me. Both materially and conceptually in my work I seek knowledge about relationships. In 1992, when I was 18 years

SENTIMENTALIST II | 2015