Beautifying the Sin cycle - 'Paramour, Siren, and Virgin'
In 1992, when I was 18 years old I was living in London, UK. While there I saw the exhibition ‘Fiereze of Life’ at the National Gallery which was the work of
Beautifying the Sin cycle - 'Modesty, Contessa, and Minx'
Unique, distressed, archival pigment prints with acrylic paint and medium, encaustic, and imitation gold and silver leaf68 x 132 inches (68 x 42 inches each panel)2017
Beautifying the Sin cycle - 'Concubine, Puritan, and Vixen'
Unique, distressed, archival pigment prints with acrylic paint and medium, encaustic, and imitation gold leaf68 x 132 inches (68 x 42 inches each panel)2017
Beautifying the Sin cycle - 'Paramour, Siren, and Virgin'
Unique, distressed, archival pigment prints with acrylic paint and medium, encaustic, and imitation gold leaf68 x 132 inches (68 x 42 inches each panel)2017
When I tell the truth people think I am lying | 1998 – 2001
Book of illustrated journal entries written by Matthew Dols.
Every person I know has a box of personal items that they keep hidden. It is not exactly hidden.
Beautifying the Sin Cycle | 2017
Body language and its relationship to vulnerability, power, sexuality and voyeurism in our culture fascinate me. Both materially and conceptually in my work I seek knowledge about relationships. In 1992, when I was 18 years
Sentimentalist | 2009
I was living in Ohio, it was a very lonely existence for me. I was living in a town called Huron which has a population of 7 000 people. Which is the smallest town I have ever lived
re:de:construction | 2015
Throughout my career I have worked with images of female beauty to investigate male desire and longing. What began early on as a wish to look clearly at our aloneness and desire for connection has led to a
